jeśli twoje dziecko najbardziej na świecie kocha filmy, a ty najbardziej na świecie kochasz swoje dziecko, to kup mu cinema speculation - w świątyni, rozdział 03:

It was also Siegel’s most political film since his earlier masterpiece, Invasion of the Body Snatchers. With Body Snatchers, the liberal-leaning Siegel was able to have his cake and eat it too. On one hand, it can be read as a subtextual attack on McCarthyism (its most popular reading). But on the other hand, the film also plays into the Red Nightmare paranoia of the fifties. The Pod People’s society seems like a socialist utopia that these hysterical humans (Americans) are blindly reacting against. In many of Siegel’s stories working for producers and studio executives he didn’t respect, the director referred to them as Pod People. Even referring once to Elvis’ obedience to Col. Tom Parker as a “pod person.”